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Volodymyr leads VSQUAD as a creative director, combining hands-on game art experience with production leadership for external art teams.

His background includes 3D character art, art direction, production planning, team coordination, quality control, and long-term collaboration with indie teams, publishers, and established game studios. He has contributed to or led production across projects such as Wayfinder, Ruined King: A League of Legends Story, Darksiders Genesis, Battle Chasers: Nightwar, SMITE, Allods Online, Dragon Age 3 related asset production, and other game projects.

At VSQUAD, Volodymyr helps clients turn art needs into a working production setup: defining scope, choosing the right specialists, organizing feedback loops, keeping quality consistent, and making sure the team can plug into the client’s existing pipeline without extra chaos.

His role is especially important when a project needs more than just asset delivery. He supports art direction, production structure, visual consistency, team scaling, communication, and delivery control across 2D, 3D, animation, VFX, Unity / Unreal support, and mobile creatives.

Production focus

External game art production

Creative direction and art supervision

3D character art production

Team scaling and production planning

Feedback loops and quality control

Stylized and realistic game art

Indie, PC, console, and mobile production

Collaboration with publishers and established studios

Production-ready asset delivery

Long-term external art team support

Hanna leads production management across VSQUAD projects, helping turn client requests into clear production plans, teams, timelines, and deliverables.

She manages both direct client projects and partner-led production, including NDA work connected to major mobile game studios. Her experience covers full-cycle indie projects as well as larger game art production, where the work can include artists, animators, developers, technical specialists, music, feedback loops, budgets, and final delivery.

Hanna’s strength is keeping production stable when projects move fast. She helps assemble the right team, organize tasks, manage communication, track feedback, control priorities, and make sure both clients and specialists understand what is happening at every stage.

She works with Jira, Smartsheet, Asana, and production planning systems, supporting resource planning, milestone control, budget awareness, feedback tracking, and delivery management.

Teams and production areas Hanna can manage

3D art teams: art directors, lead 3D artists, 3D artists, concept artists, technical artists

2D art teams: art directors, 2D artists, UI/HUD support, technical preparation

Animation and VFX teams: animation directors, 3D animators, 2D animators, VFX artists, riggers, technical artists

Development support teams: technical leads, Unity developers, Unreal developers, QA specialists

Full-cycle indie production: art, animation, development support, music, feedback, milestones, and delivery

Partner-led outsourcing production: communication, team setup, task planning, client updates, and deadline control

Vitalii leads 3D production at VSQUAD and has been involved across the studio’s core game projects, from indie productions to larger partner-led and NDA work.

His experience covers projects connected to Wayfinder, Darksiders Genesis, Battle Chasers, Ruined King, SMITE, indie games, and internal VSQUAD production. Across these projects, he has supported characters, environments, props, hard-surface assets, technical preparation, quality control, and production reviews.

Vitalii has strong hands-on experience across the full 3D pipeline: sculpting, modeling, retopology, UVs, baking, texturing, optimization, and game-ready asset preparation. This allows him to review work not only from the artistic side, but also from the production and technical side.

He is especially valuable when a project needs clear standards, fast feedback, pipeline discipline, and consistent quality across multiple artists. Vitalii helps define how assets should be built, checks technical risks, reviews visual quality, mentors artists, and keeps 3D production moving in the right direction.

His background also includes engineering and technical work before game production, which strengthens his approach to structure, problem solving, asset logic, and production efficiency.

Production focus

3D character production

3D environment production

Props, weapons, and hard-surface assets

Game-ready asset pipeline

Digital sculpting and texturing

Optimization and technical preparation

Quality control and art reviews

Artist mentorship and training

Pipeline setup and production standards

Eduard leads 2D visual development at VSQUAD, helping shape visual direction, mood, lighting, composition, and style consistency for game projects.

He brings over a decade of real studio experience in concept art, environment design, character work, illustration, mobile game production, and visual development for stylized worlds. Before joining VSQUAD, Eduard spent many years at Plarium, creating environment concepts, key visuals, production-ready concepts, callouts, paint-overs, and visual solutions for large-scale mobile game production.

Eduard is especially strong in environments, characters, illustrations, mobile and casual game visuals, and PC game concepts. He can support early exploration, art direction decisions, production standards, asset feedback, and consistency across multiple artists.

His experience also includes UI visual support when needed and AI-assisted visual workflows. This makes him valuable not only as a hands-on concept artist, but also as a lead who can guide the team, review work, improve visual decisions, and keep quality consistent through production.

Production focus

2D visual development

Environment concept art

Character concept art

Game illustrations

Mobile and casual game visuals

PC game concepts

Style direction and visual consistency

Key art, callouts, and paint-overs

UI visual support

AI-assisted visual workflows

Art feedback, mentorship, and production reviews

Gleb is a game development veteran with over 20 years of professional experience across game design, production, technical direction, team leadership, and full-cycle game development.

He has worked as a product owner, senior product manager, lead game designer, producer, and development team lead, with experience leading teams of designers, engineers, artists, UI/UX specialists, and external production partners.

His background covers strategy games, RPGs, online games, mobile and PC production, Unity projects, custom technology, and complex game systems. Over his career, Gleb has contributed to or led work on many game projects, including Legends of Allods, Heroes of Might & Magic V, Frontline: Fields of Thunder, X-Team, Allods Online, Towers of Oz, Robowars, Blitzkrieg 3, Devoid of Shadows, Heroes of War Magic, Strategy & Tactics 2: WW2, and other projects.

At VSQUAD, Gleb supports projects where game development needs more than execution. He helps shape production direction, gameplay logic, technical decisions, development scope, team structure, pipelines, and delivery strategy.

He is especially valuable when a project needs someone who can connect design, engineering, art, UI/UX, production, and business goals into one clear development plan.

Production focus

Game development direction

Unity and non-Unity production

Game design and gameplay systems

Product and production leadership

Technical decision support

Team structure and development planning

Strategy, RPG, online, mobile, and PC games

Full-cycle game production

Cross-functional team leadership

External production and outsourcing coordination

Scope, roadmap, and delivery strategy

Artem is a Senior Realtime VFX Artist focused on game-ready visual effects for Unity, Unreal, and custom production pipelines.

He creates and implements gameplay VFX, meta VFX, particle systems, shaders, fire, smoke, liquids, destruction effects, animation-related effects, and other real-time game effects. His work is not only about making effects look impressive. He focuses on readability, optimization, implementation, and production-ready delivery.

Artem has worked with teams such as Colossi Games, Panoramik Games, Playrix, Whaleapp, and other game projects, covering both hands-on VFX creation and practical implementation support.

His toolset includes Unity, Unreal Niagara, Toon Boom Harmony, Houdini, EmberGen, Illugen / Substance Designer, Blueprints, C# basics, C++ basics, and real-time production workflows.

At VSQUAD, Artem is especially useful when a project needs effects that work inside the game, not just look good in a portfolio. He can support VFX creation, effect polishing, Unity / Unreal implementation, shader work, animation support, optimization, pipeline review, and feedback for other artists.

Production focus

Realtime VFX for games

Unity VFX implementation

Unreal Niagara VFX

Gameplay effects

Particle systems

Shaders and materials

Fire, smoke, liquids, and destruction effects

Animation-related VFX support

VFX optimization and readability

Pipeline review and production feedback

Live game production support